Brendan O’Brien
Conversation with a mountain
10 June – 5 July 2025
One of the high points of my year in 2024 was a roadtrip to Taranaki. With fellow travellers, Sydney-based artist Noel McKenna and my brother Greg, we took a meandering route from Wellington, spending time catching up with folk in Ōpunake, before moving onwards, north around Taranaki Maunga to New Plymouth. The journey to Taranaki brought back memories from 2001 when Noel, Greg and I had worked together to produce two apostrophes, a small handmade publication, an illustrated poem for Te Whiti o Rongomai and Tohu Kākahi of Parihaka. The Taranaki visit also served as a solemn reminder of the history and spiritual legacy of Parihaka, plus, alongside that, a reminder of the deeply affecting exhibition, ‘Parihaka: the art of passive resistance’, initiated by the City Gallery Wellington in 2000. Our journey supplied me with a direction and an outline for the images that are gathered here as Conversation with a mountain.
Twenty five years ago, at the time the work was underway on two apostrophes, I was resident in the Rita Angus cottage, Thorndon; over my time there I embarked on a series of hand-printed book collaborations and continued developing collage work and gathering materials for future projects – numerous fragments collected then have made their way into this current group of artworks. There is a sense of wistful nostalgia about that time and place – I imagine the younger self busy in order to somehow direct the older self; it is pleasing to see both remain on the one path, and pleasing also that the accompanying soundtrack remains unchanged: plough and tuba, friends and neighbours. I thank the Thorndon Trust who generously administered the Rita Angus cottage and, at a pivotal time in my career, provided the opportunity to focus on both book arts and collage practice. I am also thankful to Greg and Noel – not just terrific collaborators but wise and good humoured companions for any journey.