Raewyn Atkinson
Raewyn Atkinson was born in Ahuriri/Napier, New Zealand. She studied Art History at Victoria University and have worked with clay for over thirty years, exhibiting nationally and internationally.
Grants and awards include a CNZ Creative Investment Grant, Fletcher Challenge Awards, the Premiere Norsewear Art Award in 2003, and the Premiere Portage Ceramic Award in both 2003 and 2015. In 2015 she was also awarded the Juror’s Prize at the Gyeonggi International Ceramics Biennale in South Korea.
A three month Japanese residency 1998 combined with two visits to Antarctica, the first in 2000 on an Antarctica Art Fellowship and a second in 2003, led to an interest in working with translucent porcelain. The experiences in Antarctica resulted in several major exhibitions, TERRA NOVA and DESIGNS ON ANTARCTICA.
Other significant international residencies have included the Australian National University,Canberra and the University of Hawaii, Honolulu. The most recent was a three year (2009-2012) unofficial ‘visiting scholar’ residency at the School of Art Practice, U.C. Berkeley, California, where the facilities provided an opportunity to experiment with porcelain and glaze on a monumental scale. The local environment also provided material and inspiration for a current interest in working with discarded and waste ceramic.
Work is held in a number of national public collections including Te Papa Tongarewa and international collections including LACMA, U.S.A. and the Museum of Contemporary Ceramic Art, Shigaraki, Japan.
Solo Exhibitions
- Everywhere I go, 2020
- E kōrero ana ngā rākau: ‘the trees are talking’, 2019
- On a plate, 2014
- Wasters, 2013
- Fragile, 2009
Group Exhibitions
- Wrapped, 2023
- You won’t believe your eyes…a visual miscellany, 2023
- About time, 2021
- A nod to nature, 2020
- Wrapped, 2015
- Notes: artists’ books on music, 2014
- Crossing the Tasman, 2008
Raewyn Atkinson, Iceberg alley revisited, 2020, porcelain glaze, 300 x 200 x 370 mm $7200
Raewyn Atkinson, Iceberg Alley revisited II 2020, porcelain glaze $7200
Raewyn Atkinson, Deep Time #25, 2010, porcelain chun glaze, 400 x 460 x 220 mm $5200
Raewyn Atkinson, Western Traveller III, 2013, found ceramic, filler decals, 180 x 180 mm $550
Raewyn Atkinson, Western Traveller V, 2013, found ceramic, filler decals, 175 x 175 mm $550
Raewyn Atkinson, Western Traveller III, 2013, found ceramic, filler decals, 180 x 180 mm $550
Raewyn Atkinson, Western Traveller III, 2013, found ceramic, filler decals, 180 x 180 mm $550
Raewyn Atkinson, E kōrero ana ngā rākau: ‘the trees are talking’ #1 2019, inkjet on Hahnemühle Photo Rag 308 gsm, edition of 4, 735 x 1110 mm, $3500 (framed)
Raewyn Atkinson, E kōrero ana ngā rākau: ‘the trees are talking’ #2 2019, inkjet on Hahnemühle Photo Rag 308 gsm, edition of 4, 735 x 1110 mm, $3500 (framed)
Raewyn Atkinson, E kōrero ana ngā rākau: ‘the trees are talking’ #3 2019, inkjet on Hahnemühle Photo Rag 308 gsm, edition of 4, 735 x 1110 mm, $3500 (framed)
Raewyn Atkinson, E kōrero ana ngā rākau: ‘the trees are talking’ #4 2019, inkjet on Hahnemühle Photo Rag 308 gsm, edition of 4, 735 x 1110 mm, $3500 (framed)
Raewyn Atkinson, E kōrero ana ngā rākau: ‘the trees are talking’ #5 2019, inkjet on Hahnemühle Photo Rag 308 gsm, edition of 4, 735 x 1110 mm, $3500 (framed)
Raewyn Atkinson, E kōrero ana ngā rākau: ‘the trees are talking’ #6 2019, inkjet on Hahnemühle Photo Rag 308 gsm, edition of 4, 735 x 1110 mm, $3500 (framed)
Raewyn Atkinson, E kōrero ana ngā rākau: ‘the trees are talking’ #8 2019, inkjet on Hahnemühle Photo Rag 308 gsm, edition of 4, 735 x 1110 mm, $3500 (framed)